The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 154
... imitation , even when , of necessity , they forewent the first . Nor was the imitation , like many that are modern , sordid and commercial - a meticulous forgery . It was a brave impressionism , fit to satisfy the eye . The mind was ...
... imitation , even when , of necessity , they forewent the first . Nor was the imitation , like many that are modern , sordid and commercial - a meticulous forgery . It was a brave impressionism , fit to satisfy the eye . The mind was ...
Seite 177
... imitation ' of the maturer world , expressed with unskilled thoughts and undeveloped powers . But the ' im- maturity ... imitating the mature , for the obvious reason that the ' mature ' did not yet exist . True , the antique existed ...
... imitation ' of the maturer world , expressed with unskilled thoughts and undeveloped powers . But the ' im- maturity ... imitating the mature , for the obvious reason that the ' mature ' did not yet exist . True , the antique existed ...
Seite 188
... imitation ' must cer- tainly be reckoned . Whether for praise or blame , we see , and we cannot help seeing , the Renaissance style as in some sense a transcript of classic style . The question is , in what sense ? How are we to view ...
... imitation ' must cer- tainly be reckoned . Whether for praise or blame , we see , and we cannot help seeing , the Renaissance style as in some sense a transcript of classic style . The question is , in what sense ? How are we to view ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
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academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius