The Architecture of Humanism: A Study in the History of Taste

academic achieved actual æsthetic antiquity appear archi architects argument attempt attention baroque beauty becomes building century CHAPTER character classic confusion consequences construction criticism delight detail direct distinction effect elements essential ethical example exist experience expression fact fallacy false feeling follow force forms function give Gothic Greek hand human ideal ideas imagination imitation influence interest Italy laws less literary logic look mass material means mechanical mediæval merely method mind moral movement Nature necessary object once original painting past period physical picturesque pleasure poetry practical preference prejudice present principle proportion purely qualities question realised reason relation Renaissance architecture romantic Romanticism satisfy scientific seems sense sequence sometimes space spirit stand standards structure style suggested taste tecture theory things thought tion tradition true whole