The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 58
... ideas , and because it could not , like the Greek or the Gothic , be fitted at once into a ready - made , poetical connection . And thus , insensibly , the Renaissance style , since symbolic it had to be , became symbolic of ideas that ...
... ideas , and because it could not , like the Greek or the Gothic , be fitted at once into a ready - made , poetical connection . And thus , insensibly , the Renaissance style , since symbolic it had to be , became symbolic of ideas that ...
Seite 63
... ideas , let us at least be sure that they do not obscure from us the value of the style . One fact should be stated in defence . These ' literary ' ideas ought not to be the primary value of a material art ; they are , nevertheless ...
... ideas , let us at least be sure that they do not obscure from us the value of the style . One fact should be stated in defence . These ' literary ' ideas ought not to be the primary value of a material art ; they are , nevertheless ...
Seite 211
... idea of instability , the idea of collapse , the idea of restric- tion , and so forth . But these ideas are not in them- selves disagreeable . We read the definition of such words in a dictionary with equanimity , yet the de- finition ...
... idea of instability , the idea of collapse , the idea of restric- tion , and so forth . But these ideas are not in them- selves disagreeable . We read the definition of such words in a dictionary with equanimity , yet the de- finition ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
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academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius