The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 77
... human agency at all ; or , at least , such human agency as might be mani- fested must be free from one specifically human quality - the ' self - contemplating reason . ' This , with its insistence on order , symmetry , logic , and ...
... human agency at all ; or , at least , such human agency as might be mani- fested must be free from one specifically human quality - the ' self - contemplating reason . ' This , with its insistence on order , symmetry , logic , and ...
Seite 78
... human reason . To ' follow reason ' and ' to live according to Nature ' for Marcus Aurelius were convertible terms . The human intellect , with its inherent , its ' natural ' leanings towards order , balance , and proportion , was a ...
... human reason . To ' follow reason ' and ' to live according to Nature ' for Marcus Aurelius were convertible terms . The human intellect , with its inherent , its ' natural ' leanings towards order , balance , and proportion , was a ...
Seite 220
... human body and its states , had been wholly alien to the architects of the past . But this is not altogether the case . The Renaissance architects were , in fact , fre- quently curious to found their design upon the human body , or ...
... human body and its states , had been wholly alien to the architects of the past . But this is not altogether the case . The Renaissance architects were , in fact , fre- quently curious to found their design upon the human body , or ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
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academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius