The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 119
... hand , the technique by which the art of architecture is made possible ; and , on the other hand , it is part of its artistic content . But in the first case it is subject to mechanical laws purely , in the second to psychological laws ...
... hand , the technique by which the art of architecture is made possible ; and , on the other hand , it is part of its artistic content . But in the first case it is subject to mechanical laws purely , in the second to psychological laws ...
Seite 191
... hand in hand ; yet humanism in its ideal is pedantry's antithesis . Humanism is the effort of men to think , to feel , and to act for themselves , and to abide by the logic of results . This attitude of spirit is common to all the ...
... hand in hand ; yet humanism in its ideal is pedantry's antithesis . Humanism is the effort of men to think , to feel , and to act for themselves , and to abide by the logic of results . This attitude of spirit is common to all the ...
Seite 196
... hand , the author's first - hand experi- ence is no less obvious , especially in his detailed direc- tions for military architecture . The comprehensive scope of the book answers exactly to the undiscrimi- nating curiosity , at once ...
... hand , the author's first - hand experi- ence is no less obvious , especially in his detailed direc- tions for military architecture . The comprehensive scope of the book answers exactly to the undiscrimi- nating curiosity , at once ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius