The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 56
... give it a different degree of importance , but , still more , they give it an importance of a wholly different kind . For in Renaissance architecture the purpose of detail , as we shall see , is primarily to give effect to the values of ...
... give it a different degree of importance , but , still more , they give it an importance of a wholly different kind . For in Renaissance architecture the purpose of detail , as we shall see , is primarily to give effect to the values of ...
Seite 226
... give space its full value . It can surround us with a void of three dimensions ; and whatever delight may be derived from that is the gift of architecture alone . Painting can depict space ; poetry , like Shelley's , can recall its ...
... give space its full value . It can surround us with a void of three dimensions ; and whatever delight may be derived from that is the gift of architecture alone . Painting can depict space ; poetry , like Shelley's , can recall its ...
Seite 232
... give to the whole that unity of bulk which mass requires . Their ingenious pairing makes a perfect transition from ... give a pyramidal contour to the composition , a line which more than any other gives mass its unity and strength ...
... give to the whole that unity of bulk which mass requires . Their ingenious pairing makes a perfect transition from ... give a pyramidal contour to the composition , a line which more than any other gives mass its unity and strength ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius