The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
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Seite 64
... function of the art to provide . To sever our experience into such completely isolated departments is to impoverish it at every point . In the last resort , as in the first , we appreciate a work of art not by the single instrument of a ...
... function of the art to provide . To sever our experience into such completely isolated departments is to impoverish it at every point . In the last resort , as in the first , we appreciate a work of art not by the single instrument of a ...
Seite 107
... functional elements ; they may be enriched by colour or carving ; but our pleasure in the colour and the carving will be pleasure in painting or sculpture ; our specifically architec- tural pleasure will be in the functions of the ...
... functional elements ; they may be enriched by colour or carving ; but our pleasure in the colour and the carving will be pleasure in painting or sculpture ; our specifically architec- tural pleasure will be in the functions of the ...
Seite 252
... function • sincere construction Difficulties of this view expression of structural But the vividness must be a matter of appearance and the function a matter of fact , while the converse is not necessary Renaissance architecture takes ...
... function • sincere construction Difficulties of this view expression of structural But the vividness must be a matter of appearance and the function a matter of fact , while the converse is not necessary Renaissance architecture takes ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius