The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 89
Seite 115
... forms , if they are genuinely felt , will not be modified by anything we may intel- lectually discover about the complex , mechanical conditions , which in a given situation may actually contradict the apparent message of the forms ...
... forms , if they are genuinely felt , will not be modified by anything we may intel- lectually discover about the complex , mechanical conditions , which in a given situation may actually contradict the apparent message of the forms ...
Seite 223
... forms of architecture , its doors and its windows , are chiefly realised , not as sensations in themselves , but as definitions of the shapes they enclose . Their chief use is to determine the position of a patch upon a given surface ...
... forms of architecture , its doors and its windows , are chiefly realised , not as sensations in themselves , but as definitions of the shapes they enclose . Their chief use is to determine the position of a patch upon a given surface ...
Seite 231
... forms we see . Every object , by the disposition of the bulk within its contours , carries with it suggestions of weight easily or awkwardly distributed , of pressures within itself and upon the ground , which have found - or failed to ...
... forms we see . Every object , by the disposition of the bulk within its contours , carries with it suggestions of weight easily or awkwardly distributed , of pressures within itself and upon the ground , which have found - or failed to ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius