The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 72
... force . For the power of literature extends far beyond its conscious students ; by a swift con- tagion it determines , even in illiterate minds , the channels of their thought , the scope of their attention , and the values to which ...
... force . For the power of literature extends far beyond its conscious students ; by a swift con- tagion it determines , even in illiterate minds , the channels of their thought , the scope of their attention , and the values to which ...
Seite 75
... force , and falsely analyse its ground , if we do not recognise in it , also , an association of architecture with ethical ideas . The poetry of Nature furnished the imagery of the gospel of freedom . The Romantic Movement , with its ...
... force , and falsely analyse its ground , if we do not recognise in it , also , an association of architecture with ethical ideas . The poetry of Nature furnished the imagery of the gospel of freedom . The Romantic Movement , with its ...
Seite 92
... force- something to be conquered , modified , adorned . It is only when the force of art is spent , when its attempt is rounded and complete , that Nature , freed from the conflict , stands apart , a separate ideal . It is thus the last ...
... force- something to be conquered , modified , adorned . It is only when the force of art is spent , when its attempt is rounded and complete , that Nature , freed from the conflict , stands apart , a separate ideal . It is thus the last ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius