The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 16
Seite 48
... feeling . But the good taste of the period , although already permeated with Romanticism , recog- nised this distinction between them : the Gothic must remain an external object of admiration ; the Greek feeling could be fused with the ...
... feeling . But the good taste of the period , although already permeated with Romanticism , recog- nised this distinction between them : the Gothic must remain an external object of admiration ; the Greek feeling could be fused with the ...
Seite 117
... feeling to be important , and claims - for to this it seems he is reduced - that æsthetic feeling is consequent on all we know , and that architectural beauty lies , in fact , in the intelligibility of structure , his position — and it ...
... feeling to be important , and claims - for to this it seems he is reduced - that æsthetic feeling is consequent on all we know , and that architectural beauty lies , in fact , in the intelligibility of structure , his position — and it ...
Seite 234
... feeling of bigness which it gives . The two last have often been confused , but it is the feeling of bigness which alone has æsthetic value . It is no demerit in a building that it should fail ( as St. Peter's is said to fail ) to ...
... feeling of bigness which it gives . The two last have often been confused , but it is the feeling of bigness which alone has æsthetic value . It is no demerit in a building that it should fail ( as St. Peter's is said to fail ) to ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius