The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 25
Seite 147
... false . And nothing , they insist , but a bluntness of perception in regard to these qualities , nothing , consequently , but a moral insensi- bility , can enable us to accept it , being this , in place of an architecture which should ...
... false . And nothing , they insist , but a bluntness of perception in regard to these qualities , nothing , consequently , but a moral insensi- bility , can enable us to accept it , being this , in place of an architecture which should ...
Seite 152
... false sovereign , there is evidently neither evil will nor injury . There is no failure of promise because no promise has been made . There is a false coin which , incidentally , may ' deceive ' me ; but there is no damage and no ...
... false sovereign , there is evidently neither evil will nor injury . There is no failure of promise because no promise has been made . There is a false coin which , incidentally , may ' deceive ' me ; but there is no damage and no ...
Seite 154
... false perspectives and painted shadows - than grow indignant because , in the Greek cornice , he is shown false eggs and darts . For this is no mere flippancy . Imitation runs through art ; and Plato was more logical who rejected art ...
... false perspectives and painted shadows - than grow indignant because , in the Greek cornice , he is shown false eggs and darts . For this is no mere flippancy . Imitation runs through art ; and Plato was more logical who rejected art ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius