The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 94
Seite
... FALLACY 37 III . THE ROMANTIC FALLACY ( continued ) : NATURALISM AND THE PICTURESQUE 66 IV . THE MECHANICAL FALLACY 94 V. THE ETHICAL FALLACY . VI . THE BIOLOGICAL FALLACY VII . THE ACADEMIC TRADITION VIII . HUMANIST VALUES 121 165 186 ...
... FALLACY 37 III . THE ROMANTIC FALLACY ( continued ) : NATURALISM AND THE PICTURESQUE 66 IV . THE MECHANICAL FALLACY 94 V. THE ETHICAL FALLACY . VI . THE BIOLOGICAL FALLACY VII . THE ACADEMIC TRADITION VIII . HUMANIST VALUES 121 165 186 ...
Seite 65
... Fallacy . E CHAPTER III THE ROMANTIC FALLACY ( continued ) Naturalism and THE ROMANTIC FALLACY 65.
... Fallacy . E CHAPTER III THE ROMANTIC FALLACY ( continued ) Naturalism and THE ROMANTIC FALLACY 65.
Seite 125
... Fallacy paved the way for it . The Mechanical Fallacy provoked it . The essential fallacy of romanticism was , we saw , that it treated architectural form as primarily sym- bolic . Now there is evidently no reason why an art of form ...
... Fallacy paved the way for it . The Mechanical Fallacy provoked it . The essential fallacy of romanticism was , we saw , that it treated architectural form as primarily sym- bolic . Now there is evidently no reason why an art of form ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius