The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 109
... facts . The security of the building , and hence also of any artistic value it may possess , depends on this ; and a ... fact , and constructive vividness in appearance . Now , what our scientific critics have taken for granted , is that ...
... facts . The security of the building , and hence also of any artistic value it may possess , depends on this ; and a ... fact , and constructive vividness in appearance . Now , what our scientific critics have taken for granted , is that ...
Seite 113
... facts of perception . They appealed , in fact , from abstract logic to psychology . If A similar defence may be entered for the Renais- sance practice of combining the arch with the lintel in such a way that the actual structural value ...
... facts of perception . They appealed , in fact , from abstract logic to psychology . If A similar defence may be entered for the Renais- sance practice of combining the arch with the lintel in such a way that the actual structural value ...
Seite 114
... fact , unsuccessful as decoration- this we must view as a fault rather of practice than of theory . And their tendency to abuse their oppor- tunities of pilaster treatment must be held to spring from an excessive zeal for the æsthetics ...
... fact , unsuccessful as decoration- this we must view as a fault rather of practice than of theory . And their tendency to abuse their oppor- tunities of pilaster treatment must be held to spring from an excessive zeal for the æsthetics ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius