The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 123
... ethical . Thus Professor Moore , in one of the few volumes which have been devoted to considering Renaissance architecture as a distinctive art , bases ... ethical critic of architecture has three different forms of THE ETHICAL FALLACY 123.
... ethical . Thus Professor Moore , in one of the few volumes which have been devoted to considering Renaissance architecture as a distinctive art , bases ... ethical critic of architecture has three different forms of THE ETHICAL FALLACY 123.
Seite 124
... ethical case ; the ethical case is not illustrated by the mechanical . The ethical formulæ have no function in the argument of the book ; they are even opposed to it ; but they are so familiar that they can be automatically stated and ...
... ethical case ; the ethical case is not illustrated by the mechanical . The ethical formulæ have no function in the argument of the book ; they are even opposed to it ; but they are so familiar that they can be automatically stated and ...
Seite 125
... ethical criticism is irrelevant to art . ' This , together with some manner of diatribe against Ruskin , is all that is vouchsafed in reply when , as now , fashion veers for a moment , and with more ardour than understanding , in the ...
... ethical criticism is irrelevant to art . ' This , together with some manner of diatribe against Ruskin , is all that is vouchsafed in reply when , as now , fashion veers for a moment , and with more ardour than understanding , in the ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
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academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius