The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 31
... effect , they obtained it without the Florentines ' advantages . Again , the smooth pietra serena of Tuscany may lend itself to fine carving ; but the passion of the Floren- tines for exquisite detail is no less marked in their painting ...
... effect , they obtained it without the Florentines ' advantages . Again , the smooth pietra serena of Tuscany may lend itself to fine carving ; but the passion of the Floren- tines for exquisite detail is no less marked in their painting ...
Seite 110
... effect . They may not have entailed consequences contrary to structural requirements , but at least the optical effect and the structural requirements were distinct . The Renaissance grasped this distinction between the several elements ...
... effect . They may not have entailed consequences contrary to structural requirements , but at least the optical effect and the structural requirements were distinct . The Renaissance grasped this distinction between the several elements ...
Seite 233
... effect of the whole must predominate over that of the parts ; the parts must enforce the general character of the whole and help us to realise its bulk ; they must not detach themselves from the mass in such a way as to detract from its ...
... effect of the whole must predominate over that of the parts ; the parts must enforce the general character of the whole and help us to realise its bulk ; they must not detach themselves from the mass in such a way as to detract from its ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius