The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
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Seite 59
... direct , the other in- direct . The direct element includes our sensuous experience and simple perceptions of form : the im- mediate apprehension of the work of art in its visible or audible material , with whatever values may , by the ...
... direct , the other in- direct . The direct element includes our sensuous experience and simple perceptions of form : the im- mediate apprehension of the work of art in its visible or audible material , with whatever values may , by the ...
Seite 60
... direct material . Architecture , conversely , is an art which affects us chiefly by direct appeal . Its emphasis and its value lie chiefly in material and that abstract disposition of material which we call form . Neither in the one ...
... direct material . Architecture , conversely , is an art which affects us chiefly by direct appeal . Its emphasis and its value lie chiefly in material and that abstract disposition of material which we call form . Neither in the one ...
Seite 61
... direct elements , as sublime . Literature may possess abstract architectural properties - scale , pro- portion , distribution - independent of its significance ; architecture may evoke a poetic dream , independent of its forms ; but ...
... direct elements , as sublime . Literature may possess abstract architectural properties - scale , pro- portion , distribution - independent of its significance ; architecture may evoke a poetic dream , independent of its forms ; but ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius