The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 92
Seite 65
... criticism of a given art , as such , need have no concern . When , therefore , our architectural critics condemn the ... criticism , criticism tending to obscure real values and diminish possible enjoyments , criticism vitiated by the ...
... criticism of a given art , as such , need have no concern . When , therefore , our architectural critics condemn the ... criticism , criticism tending to obscure real values and diminish possible enjoyments , criticism vitiated by the ...
Seite 159
... critics on the other side , that moral issues are utterly different from æsthetic issues , and expel the moral criticism of archi- tecture , its vocabulary and its associations , altogether from our thought ? For this , we saw , has ...
... critics on the other side , that moral issues are utterly different from æsthetic issues , and expel the moral criticism of archi- tecture , its vocabulary and its associations , altogether from our thought ? For this , we saw , has ...
Seite 160
... Criticism of Sentiment . On the other hand is a body of criticism sharply opposed to this . It has two forms : the ' dilettante ' -in the older and better sense of that word - and the technical : two forms , different indeed in many ...
... Criticism of Sentiment . On the other hand is a body of criticism sharply opposed to this . It has two forms : the ' dilettante ' -in the older and better sense of that word - and the technical : two forms , different indeed in many ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius