The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 29
... construction which it concealed became an object of indifference . resource . The one constructional practice which distinguishes the Renaissance does but confirm the insignificant interest which construction , as such , possessed for ...
... construction which it concealed became an object of indifference . resource . The one constructional practice which distinguishes the Renaissance does but confirm the insignificant interest which construction , as such , possessed for ...
Seite 102
... construction consists in obtaining the necessary results , with complete security and the utmost economy of means ... construction , therefore , is not pure construction , but construction for an æsthetic pur- pose , and it is not ...
... construction consists in obtaining the necessary results , with complete security and the utmost economy of means ... construction , therefore , is not pure construction , but construction for an æsthetic pur- pose , and it is not ...
Seite 252
... construction ' Or ' construction truthfully expressed ' Beauty cannot be identified with But perhaps both are necessary ? Architecture defined as the vivid function • sincere construction Difficulties of this view expression of ...
... construction ' Or ' construction truthfully expressed ' Beauty cannot be identified with But perhaps both are necessary ? Architecture defined as the vivid function • sincere construction Difficulties of this view expression of ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius