The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 13
... confuse our actual experi- ence at the source . To trace the full measure of that confusion , and if possible to correct it , is therefore the first object of this book . We enter a limbo of dead but still haunt- ing controversies , of ...
... confuse our actual experi- ence at the source . To trace the full measure of that confusion , and if possible to correct it , is therefore the first object of this book . We enter a limbo of dead but still haunt- ing controversies , of ...
Seite 166
... confused ; past things became contemporary with present . Sequence - the historical relation of style to style - now was studied , when sequence itself had ceased to be . If the dif- ferent stages of a historical evolution are brought ...
... confused ; past things became contemporary with present . Sequence - the historical relation of style to style - now was studied , when sequence itself had ceased to be . If the dif- ferent stages of a historical evolution are brought ...
Seite 253
... Confusion here between knowing and feeling ; æsthetic perception more limited than intellectual perception Moreover a complete intellectual perception would per- ceive inter alia the æsthetic point of view • The mechanical argument ...
... Confusion here between knowing and feeling ; æsthetic perception more limited than intellectual perception Moreover a complete intellectual perception would per- ceive inter alia the æsthetic point of view • The mechanical argument ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius