The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 20
... classic style . Indeed , it seems evident that mediæval art could exercise but a temporary dominion among peoples who , however little of the authentic Roman strain they might legitimately boast , yet by the origin of their culture ...
... classic style . Indeed , it seems evident that mediæval art could exercise but a temporary dominion among peoples who , however little of the authentic Roman strain they might legitimately boast , yet by the origin of their culture ...
Seite 88
... classic architecture . Of this the painters give us evidence enough . The painting of Claude Lorrain poeticised Nature in a luminous Virgilian mood , to which his vision of classic architecture , so far from being foreign , was the ...
... classic architecture . Of this the painters give us evidence enough . The painting of Claude Lorrain poeticised Nature in a luminous Virgilian mood , to which his vision of classic architecture , so far from being foreign , was the ...
Seite 190
... classic inscriptions , rise again in the baroque city ; the noble planning , the immense vistas , the insolent monuments , the scenic instinct , the grandeur and the scale are all the same . And this architecture , which might have ...
... classic inscriptions , rise again in the baroque city ; the noble planning , the immense vistas , the insolent monuments , the scenic instinct , the grandeur and the scale are all the same . And this architecture , which might have ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius