The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 21
... character of the art . Gis- mondo Malatesta , tyrant of Rimini , the rough soldier who caused a Gothic church to be converted into the equivalent of a pagan temple dedicated to his mistress , and flanked it with the entombed bones of ...
... character of the art . Gis- mondo Malatesta , tyrant of Rimini , the rough soldier who caused a Gothic church to be converted into the equivalent of a pagan temple dedicated to his mistress , and flanked it with the entombed bones of ...
Seite 123
... character of such ideas that we find them included by courtesy in the works of writers whose actual bias and method are utterly opposed to the ethical . Thus Professor Moore , in one of the few volumes which have been devoted to ...
... character of such ideas that we find them included by courtesy in the works of writers whose actual bias and method are utterly opposed to the ethical . Thus Professor Moore , in one of the few volumes which have been devoted to ...
Seite 147
... character ; and his character must be equally diseased who can at any subsequent time take pleasure in them or think them beautiful . They may have grown up in a corrupt society and served ignoble uses . That fact would but confirm our ...
... character ; and his character must be equally diseased who can at any subsequent time take pleasure in them or think them beautiful . They may have grown up in a corrupt society and served ignoble uses . That fact would but confirm our ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius