The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 86
... baroque experiment and it is achieved . The baroque is not afraid to startle and arrest . Like Nature , it is fantastic , unexpected , varied and grotesque . It is all this in the highest degree . But , unlike Nature , it remains ...
... baroque experiment and it is achieved . The baroque is not afraid to startle and arrest . Like Nature , it is fantastic , unexpected , varied and grotesque . It is all this in the highest degree . But , unlike Nature , it remains ...
Seite 87
... baroque style should be supreme in the garden and in the theatre - the two provinces which permit design its greatest liberty - was to be expected . The fountains and caryatides at Caprarola , the stage conceptions of Bibbiena and ...
... baroque style should be supreme in the garden and in the theatre - the two provinces which permit design its greatest liberty - was to be expected . The fountains and caryatides at Caprarola , the stage conceptions of Bibbiena and ...
Seite 263
... baroque , and of the true inspiration of Wren . It is to attend to Wren's language where previous critics had looked at his parts of speech . Here I would like to add a word on the subject of baroque . I find this book frequently ...
... baroque , and of the true inspiration of Wren . It is to attend to Wren's language where previous critics had looked at his parts of speech . Here I would like to add a word on the subject of baroque . I find this book frequently ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius