The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
Im Buch
Ergebnisse 1-3 von 21
Seite 72
... attention , and the values to which they will respond . It leads men to say , at a given epoch , summarily : ' The artificial or the formal is less worthy than the natural , ' without any necessary analysis of what these abstract terms ...
... attention , and the values to which they will respond . It leads men to say , at a given epoch , summarily : ' The artificial or the formal is less worthy than the natural , ' without any necessary analysis of what these abstract terms ...
Seite 84
... attention . Some works of art affect us , as it were , by infiltration , and are calculated to produce an impression that is slow , pervasive , and profound . These seek neither to capture the attention nor to retain it ; yet they ...
... attention . Some works of art affect us , as it were , by infiltration , and are calculated to produce an impression that is slow , pervasive , and profound . These seek neither to capture the attention nor to retain it ; yet they ...
Seite 149
... attention , drawn here and there by the design , held and liberated by its stress and accent , every- thing must depend upon the kind of attention the design invites . An attention that is restrained , however worthily , at the several ...
... attention , drawn here and there by the design , held and liberated by its stress and accent , every- thing must depend upon the kind of attention the design invites . An attention that is restrained , however worthily , at the several ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius