The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 12
... aesthetic impulsion , controlled by æsthetic laws , and only by an aesthetic criticism to be finally justified or condemned . It must , in fact , be studied as an art . Here , however , is the true core of the difficulty . The science ...
... aesthetic impulsion , controlled by æsthetic laws , and only by an aesthetic criticism to be finally justified or condemned . It must , in fact , be studied as an art . Here , however , is the true core of the difficulty . The science ...
Seite 127
... aesthetic , and applies to all purpose and action whatsoever . Hence , architecture falls within its province . If ... æsthetic and moral values should deter us , might not æsthetic good prove , on a due analysis , reducible to terms of ...
... aesthetic , and applies to all purpose and action whatsoever . Hence , architecture falls within its province . If ... æsthetic and moral values should deter us , might not æsthetic good prove , on a due analysis , reducible to terms of ...
Seite 159
... aesthetic value of the style . IV Thus far it may seem that whenever the criticism of architecture has taken moral ... æsthetic issues , and expel the moral criticism of archi- tecture , its vocabulary and its associations , altogether ...
... aesthetic value of the style . IV Thus far it may seem that whenever the criticism of architecture has taken moral ... æsthetic issues , and expel the moral criticism of archi- tecture , its vocabulary and its associations , altogether ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius