The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 74
... actual , and it becomes evident that there is nothing inherent in the architecture itself that can evoke an imaginative response . Again , there are actual works of archi- tecture that by the lapse of time are almost fused with Nature ...
... actual , and it becomes evident that there is nothing inherent in the architecture itself that can evoke an imaginative response . Again , there are actual works of archi- tecture that by the lapse of time are almost fused with Nature ...
Seite 212
... actual movements , and the sight of a granite building raised ( apparently ) on a glass shop - front does not cause ... actual state of instability or of being over- loaded , but that condition of spirit which in the past has belonged to ...
... actual movements , and the sight of a granite building raised ( apparently ) on a glass shop - front does not cause ... actual state of instability or of being over- loaded , but that condition of spirit which in the past has belonged to ...
Seite 213
... actual . The actual pressures of a spire are downward ; yet no one speaks of a ' sinking ' spire . A spire , when well designed , appears as common language testifies- to soar . We identify ourselves , not with its actual downward ...
... actual . The actual pressures of a spire are downward ; yet no one speaks of a ' sinking ' spire . A spire , when well designed , appears as common language testifies- to soar . We identify ourselves , not with its actual downward ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
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academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius