The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 197
... Vitruvius , how little in the curiously dual nature of the Renaissance architect the zeal of the scholar was allowed to subjugate the promptings of the artist . True , the zeal of scholarship was there , and it was a new force in ...
... Vitruvius , how little in the curiously dual nature of the Renaissance architect the zeal of the scholar was allowed to subjugate the promptings of the artist . True , the zeal of scholarship was there , and it was a new force in ...
Seite 198
... Vitruvius helped the architect to master the conventions of an art , of which the possibilities were apprehended but not explored . He wrapt it in the pomp and dignity of learning . But in Italy when he was found at variance with the ...
... Vitruvius helped the architect to master the conventions of an art , of which the possibilities were apprehended but not explored . He wrapt it in the pomp and dignity of learning . But in Italy when he was found at variance with the ...
Seite 255
... Vitruvius . Reasons for the prestige of Vitruvius Nature of his treatise • · PAGE • 194 X • 194 X · 195 • 197 · 199 Misconception as to its influence upon Italian architects ; its true value Its value outside Italy • Renaissance ...
... Vitruvius . Reasons for the prestige of Vitruvius Nature of his treatise • · PAGE • 194 X • 194 X · 195 • 197 · 199 Misconception as to its influence upon Italian architects ; its true value Its value outside Italy • Renaissance ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius