The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 76
... Ruskin , for example , the argument from Nature is always final . ' Canst thou draw out Leviathan with a hook ? ' To improve on Nature's architecture were a like impertinence . It is even suggested that forms are beautiful precisely in ...
... Ruskin , for example , the argument from Nature is always final . ' Canst thou draw out Leviathan with a hook ? ' To improve on Nature's architecture were a like impertinence . It is even suggested that forms are beautiful precisely in ...
Seite 132
... Ruskin gave to it . It is not specifically Christian . It dominates the fourth book of Plato's Republic no less than the gospel of Savonarola . It is one of the recurrent phases of men's thought : a latent tendency which it was Ruskin's ...
... Ruskin gave to it . It is not specifically Christian . It dominates the fourth book of Plato's Republic no less than the gospel of Savonarola . It is one of the recurrent phases of men's thought : a latent tendency which it was Ruskin's ...
Seite 133
... Ruskin undoubtedly raised the dignity of his subject , no less than he widened its appeal . He made architecture seem important , as no other critic had succeeded in doing . The sound and the fury , not unduly charged with significance ...
... Ruskin undoubtedly raised the dignity of his subject , no less than he widened its appeal . He made architecture seem important , as no other critic had succeeded in doing . The sound and the fury , not unduly charged with significance ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius