The Architecture of Humanism: A Study in the History of TasteConstable Limited, 1924 - 265 Seiten |
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Seite 153
... æsthetic beauty . But the baroque archi- tects did not prefer paint to stone . Ruskin was not more disappointed than Palladio that the palaces of Vicenza are of stucco . Few generations realised more clearly the æsthetic quality of rich ...
... æsthetic beauty . But the baroque archi- tects did not prefer paint to stone . Ruskin was not more disappointed than Palladio that the palaces of Vicenza are of stucco . Few generations realised more clearly the æsthetic quality of rich ...
Seite 208
... æsthetic for disembodied minds , but to explain the preferences which we ( whose minds are not disembodied ) do actually possess . Our æsthetic taste is partly physical ; and , while mathematical ' proportion ' belongs to the abstract ...
... æsthetic for disembodied minds , but to explain the preferences which we ( whose minds are not disembodied ) do actually possess . Our æsthetic taste is partly physical ; and , while mathematical ' proportion ' belongs to the abstract ...
Seite 253
... æsthetic point of view • The mechanical argument based on a confusion between structure and the effect of structure ... æsthetic limitations Ruskinism · Unfortunate results for criticism of the reaction against True relation of æsthetic ...
... æsthetic point of view • The mechanical argument based on a confusion between structure and the effect of structure ... æsthetic limitations Ruskinism · Unfortunate results for criticism of the reaction against True relation of æsthetic ...
Inhalt
THE ROMANTIC FALLACY | 37 |
THE MECHANICAL FALLACY | 94 |
THE BIOLOGICAL FALLACY | 165 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved aesthetic æsthetic value antiquity appear archæology archi architectural art argument artistic baroque architects beauty Bramante Brunelleschi builders building century CHAPTER classic architecture coherence confusion conscious construction Corinthian Orders criticism of architecture cult decorative delight distinction dome effect elements Empire style ethical criticism experience expression fact false forms function give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italian architecture Italy laws less literary logic mass material means mechanical mediæval mind modern moral Nature painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance humanism Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure suggested taste tecture theory of architecture things thought tion tradition true Vitruvius