A Midsummer Night's DreamGinn and Company, 1910 - 114 Seiten |
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Seite xxv
... syllable . It is not improbable that the speech has the historical background described in the two works which Halpin makes so much use of as au- thorities , Laneham's Letter : whearin Part of the Entertain- ment untoo the Queenz ...
... syllable . It is not improbable that the speech has the historical background described in the two works which Halpin makes so much use of as au- thorities , Laneham's Letter : whearin Part of the Entertain- ment untoo the Queenz ...
Seite xxxvi
... syllable line with the pause after the sixth syllable , it is gen- erally used in English to designate iambic six - stress verse , or iambic hexameter . Cf. note , II , i , 248 . 2 Cf. Wyt and Science , Kynge Johan , etc. , in Dodsley's ...
... syllable line with the pause after the sixth syllable , it is gen- erally used in English to designate iambic six - stress verse , or iambic hexameter . Cf. note , II , i , 248 . 2 Cf. Wyt and Science , Kynge Johan , etc. , in Dodsley's ...
Seite xxxvii
... syllable at the beginning . The norm of Bottom's snatch of song , " The ousel - cock so black of hue , " III , i , 114 , is the ballad stanza3 of four- stress iambic verse alternating with three - stress . 5. Doggerel . In the earliest ...
... syllable at the beginning . The norm of Bottom's snatch of song , " The ousel - cock so black of hue , " III , i , 114 , is the ballad stanza3 of four- stress iambic verse alternating with three - stress . 5. Doggerel . In the earliest ...
Seite xxxviii
... syllable - counting principle , to make the line the unit , the sentence and phrase coinciding with the line ( end ... syllables now abound , and the melody is richer xxxviii THE NEW HUDSON SHAKESPEARE BLANK VERSE.
... syllable - counting principle , to make the line the unit , the sentence and phrase coinciding with the line ( end ... syllables now abound , and the melody is richer xxxviii THE NEW HUDSON SHAKESPEARE BLANK VERSE.
Seite xxxix
William Shakespeare Ebenezer Charlton Black, Moses Grant Daniell. Redundant syllables now abound , and the melody is richer and fuller . In Shakespeare's later plays the blank verse breaks away from bondage to formal line limits , and ...
William Shakespeare Ebenezer Charlton Black, Moses Grant Daniell. Redundant syllables now abound , and the melody is richer and fuller . In Shakespeare's later plays the blank verse breaks away from bondage to formal line limits , and ...
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Häufige Begriffe und Wortgruppen
Abbott action actors allusion Athenian lovers Athens awake blank verse BOTTOM called Capell character Chaucer Cobweb Comedy Delius Demetrius Diana doth dramatic E. K. Chambers editions of Hudson's Egeus Elizabeth Elizabethan English Exeunt Exit eyes Faerie fair fairy king fairy queen fancy Ff omit five-stress flower FLUTE Folio give Globe Camb Hamlet hath heart HELENA Henry HERMIA Hippolyta Huon Huon of Bordeaux iambic interlude Julius Cæsar ladies lion lord love-juice Love's Labour's Lost LYSANDER Lysander's Malone merry Midsummer Night's Dream moon MOONSHINE mortals mounsieur Murray MUSTARDSEED Oberon Ovid PEASEBLOSSOM Peter Quince PHILOSTRATE Pope popular PROLOGUE prose Puck Pyramus and Thisbe Q2Ff QqF1 QqFf omit Quarto Re-enter reference rhyme Robin Goodfellow Rowe Scene Scot Shakespeare's plays sleep SNOUT soul speak speech spelling Spenser sport stage directions STARVELING suggested sweet syllable thee Theobald THESEUS thing thou TITANIA trochaic wall wood words