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Psychology and Psychiatry in Renaissance England
The Motions of Men
Man and His Reflection
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according affections appear approach assume attempt becomes Brutus casket Cassius cause character characterization complex concept concerned course death defined definition depicted derived described desire drama earth elements Elizabethan emotion entity example existence eyes face fact father figure finally follow give given Hamlet hand hath human humors ideal identity imagined individual instance interesting John kind king least London material matter merely mind mode moral nature necessarily never object observe offered one's orientation Othello particular perception perhaps personality philosophical play poet possible presented problem psychological purely question reality reason recall reference regarded Renaissance Richard role seems selfe sense serve Shakespeare's sigs simply situation soule speak specific speech stage statement structure suggest symbol theory things thinking thou thought tion tradition tragedy trans transcendentalist true ultimately universe whole wish writing