William Faulkner: Self-Presentation and PerformanceUniversity of Texas Press, 2000 - 271 Seiten In his life and writings, William Faulkner continually created and "performed" selves. Even in letters, he often played a part—gentleman dandy, soldier, farmer—while in his fictions these and other personae are counterpoised against one another to create a world of controlled chaos, made in Faulkner's own protean image and reflective of his own multiple sense of self. In this groundbreaking book, James Watson draws on the entire Faulkner canon, including letters and photographs, to decipher the complicated ways in which Faulkner put himself forth as the artist he felt himself to be through written performances and displays based on the life he actually lived and the ones he imagined living. The topics Watson treats include the overtly performative aspects of The Sound and the Fury, self-presentation and performance in private records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie his fictions' recurring motifs of marriages and fatherhood, Faulkner's readings of Melville, Hawthorne, and Thoreau and the problematics of authorial sovereignty, his artist-as-God creation of a fictional cosmos, and the epistolary relationships with women that lie in the correspondence behind Requiem for a Nun. |
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... suggests the boy he still is , and his suicide at the end of the story repeats the death of his child in a pattern of dissolution begun when Howard himself was a child and his father deserted the family . The German pilot defends his ...
... suggest , the images of the picture , the jagged - edged void , and the empty door to " nothing " are compressed in the thronged , transforming light of memory where they forebode his imminent dissolution : " I will sleep fast when I ...
... suggests , Quentin's Caddy may be read as the Estelle - who - once - was and Horace's Belle Mitchell as the Estelle ... suggest , and the parallels and intersections of the two call for a more detailed rehearsal of Estelle's and ...
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Cultural Memory and Multiple Identities Rüdiger Kunow,Wilfried Raussert Keine Leseprobe verfügbar - 2008 |