William Faulkner: Self-Presentation and PerformanceUniversity of Texas Press, 2000 - 271 Seiten In his life and writings, William Faulkner continually created and "performed" selves. Even in letters, he often played a part—gentleman dandy, soldier, farmer—while in his fictions these and other personae are counterpoised against one another to create a world of controlled chaos, made in Faulkner's own protean image and reflective of his own multiple sense of self. In this groundbreaking book, James Watson draws on the entire Faulkner canon, including letters and photographs, to decipher the complicated ways in which Faulkner put himself forth as the artist he felt himself to be through written performances and displays based on the life he actually lived and the ones he imagined living. The topics Watson treats include the overtly performative aspects of The Sound and the Fury, self-presentation and performance in private records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie his fictions' recurring motifs of marriages and fatherhood, Faulkner's readings of Melville, Hawthorne, and Thoreau and the problematics of authorial sovereignty, his artist-as-God creation of a fictional cosmos, and the epistolary relationships with women that lie in the correspondence behind Requiem for a Nun. |
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... represented in these stories . Two versions have been published , one from a five - page and one from a ten - page typescript , the latter apparently the final one . The bibliographical history of the piece , compiled from the Rowan Oak ...
... represented by an empty silver frame set between silver - framed pictures of his mother and father ( CSWF , 656 ) .30 On Armistice Day , in the early story " Ad Astra , " a German pilot tells Bayard Sartoris and his compan- ions of ...
... represented in Ab- salom , Absalom ! as a tacitly accepted historical fact of antebellum South- ern plantation life . Clytemnestra lives at Sutpen's Hundred as her father's daughter born of a slave woman who is neither portrayed nor ...
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Cultural Memory and Multiple Identities Rüdiger Kunow,Wilfried Raussert Keine Leseprobe verfügbar - 2008 |