William Faulkner: Self-Presentation and PerformanceUniversity of Texas Press, 2000 - 271 Seiten In his life and writings, William Faulkner continually created and "performed" selves. Even in letters, he often played a part—gentleman dandy, soldier, farmer—while in his fictions these and other personae are counterpoised against one another to create a world of controlled chaos, made in Faulkner's own protean image and reflective of his own multiple sense of self. In this groundbreaking book, James Watson draws on the entire Faulkner canon, including letters and photographs, to decipher the complicated ways in which Faulkner put himself forth as the artist he felt himself to be through written performances and displays based on the life he actually lived and the ones he imagined living. The topics Watson treats include the overtly performative aspects of The Sound and the Fury, self-presentation and performance in private records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie his fictions' recurring motifs of marriages and fatherhood, Faulkner's readings of Melville, Hawthorne, and Thoreau and the problematics of authorial sovereignty, his artist-as-God creation of a fictional cosmos, and the epistolary relationships with women that lie in the correspondence behind Requiem for a Nun. |
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Self-Presentation and Performance James G. Watson. father - son relationship and a " relationship to absence " 57 is a particularly useful way of understanding Faulkner's relationship with Murry and one , moreover , fully accordant with ...
... relationship with Estelle in the early 1920s , to which he re- turned in The Sound and the Fury and later . Carvel ... relationships in the manuscript between Elmer and his sister Jo - Addie and between Elmer and Ethel , who calls him ...
... relationship to Estelle occasioned by her changed marital status in 1927 ; it is balanced in the novel by his frustrated love for his sister , itself a retrospectively based representation of Faulkner's relationship to Estelle in 1918 ...
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Cultural Memory and Multiple Identities Rüdiger Kunow,Wilfried Raussert Keine Leseprobe verfügbar - 2008 |