William Faulkner: Self-Presentation and PerformanceUniversity of Texas Press, 2000 - 271 Seiten In his life and writings, William Faulkner continually created and "performed" selves. Even in letters, he often played a part—gentleman dandy, soldier, farmer—while in his fictions these and other personae are counterpoised against one another to create a world of controlled chaos, made in Faulkner's own protean image and reflective of his own multiple sense of self. In this groundbreaking book, James Watson draws on the entire Faulkner canon, including letters and photographs, to decipher the complicated ways in which Faulkner put himself forth as the artist he felt himself to be through written performances and displays based on the life he actually lived and the ones he imagined living. The topics Watson treats include the overtly performative aspects of The Sound and the Fury, self-presentation and performance in private records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie his fictions' recurring motifs of marriages and fatherhood, Faulkner's readings of Melville, Hawthorne, and Thoreau and the problematics of authorial sovereignty, his artist-as-God creation of a fictional cosmos, and the epistolary relationships with women that lie in the correspondence behind Requiem for a Nun. |
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... lover and , returning to Oxford as a mother , was changed yet not changed , in the words of the play . Drawn from the language of the Shade's seduction song , Faulkner's inscription to Cho - Cho , the " tiny flower of the flame " of love ...
... love and grief and written it into his son- net , which concludes with the classic literary formulation that the lover's love lives on his the poem : Though warm in dark between the breasts of Death , That other breast forgot where I ...
... lovers , spoke often of the doomed and fad- ing scent of April she had brought him , and sent her a sadly resigned love poem about a lost April love titled " From an Old Man to Himself . " 56 When Joan did become his lover in the summer ...
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Cultural Memory and Multiple Identities Rüdiger Kunow,Wilfried Raussert Keine Leseprobe verfügbar - 2008 |