William Faulkner: Self-Presentation and PerformanceUniversity of Texas Press, 2000 - 271 Seiten In his life and writings, William Faulkner continually created and "performed" selves. Even in letters, he often played a part—gentleman dandy, soldier, farmer—while in his fictions these and other personae are counterpoised against one another to create a world of controlled chaos, made in Faulkner's own protean image and reflective of his own multiple sense of self. In this groundbreaking book, James Watson draws on the entire Faulkner canon, including letters and photographs, to decipher the complicated ways in which Faulkner put himself forth as the artist he felt himself to be through written performances and displays based on the life he actually lived and the ones he imagined living. The topics Watson treats include the overtly performative aspects of The Sound and the Fury, self-presentation and performance in private records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie his fictions' recurring motifs of marriages and fatherhood, Faulkner's readings of Melville, Hawthorne, and Thoreau and the problematics of authorial sovereignty, his artist-as-God creation of a fictional cosmos, and the epistolary relationships with women that lie in the correspondence behind Requiem for a Nun. |
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... Murry in his letters . Both fathers are inventions — as Quentin realizes and confesses when he con- templates confessing to incest : " Say it to Father will you I will am my fa- thers Progenitive I invented him created I him . " In the ...
... Murry and one , moreover , fully accordant with epistolary conventions . Personal letters are generated by absence , and their function is to overcome separation by bridging it . If Faulkner's father was not available to him at home ...
... Murry , and his direct quotation of conversations with Father approximate Murry's expressions of ideas and opinions to which Faulkner alludes in his letters . But there is this differ- ence : Quentin's father is not written but ...
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Cultural Memory and Multiple Identities Rüdiger Kunow,Wilfried Raussert Keine Leseprobe verfügbar - 2008 |