William Faulkner: Self-Presentation and PerformanceUniversity of Texas Press, 2000 - 271 Seiten In his life and writings, William Faulkner continually created and "performed" selves. Even in letters, he often played a part—gentleman dandy, soldier, farmer—while in his fictions these and other personae are counterpoised against one another to create a world of controlled chaos, made in Faulkner's own protean image and reflective of his own multiple sense of self. In this groundbreaking book, James Watson draws on the entire Faulkner canon, including letters and photographs, to decipher the complicated ways in which Faulkner put himself forth as the artist he felt himself to be through written performances and displays based on the life he actually lived and the ones he imagined living. The topics Watson treats include the overtly performative aspects of The Sound and the Fury, self-presentation and performance in private records of Faulkner's life, the ways in which his complicated marriage and his relationships to male mentors underlie his fictions' recurring motifs of marriages and fatherhood, Faulkner's readings of Melville, Hawthorne, and Thoreau and the problematics of authorial sovereignty, his artist-as-God creation of a fictional cosmos, and the epistolary relationships with women that lie in the correspondence behind Requiem for a Nun. |
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... Joan Williams . " 49 Soon Estelle was opening and reading Joan's letters and drinking heav- ily . The drama of his home life generated melodramatic responses in Faulkner's correspondence with Joan : in one heavily edited letter the fol ...
... Joan considered the difference in their ages , to which he regularly alluded in his letters to her , she wished that she could have been born earlier , or he later ; he re- plied , " Earlier I was too busy writing to have had time for ...
... Joan was working reflected his increasingly tangled love life . Faulkner told Meta about the play in March 1950 when he asked her to write him pseudonymously as he asked Joan that July ; 68 when Joan refused to go to Hollywood with him ...
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Cultural Memory and Multiple Identities Rüdiger Kunow,Wilfried Raussert Keine Leseprobe verfügbar - 2008 |