North-American Review and Miscellaneous Journal, Band 4Jared Sparks, Edward Everett, James Russell Lowell, Henry Cabot Lodge University of Northern Iowa, 1965 Vols. 277-230, no. 2 include Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930. |
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Seite 20
... semitone . Among larger intervals there are what musicians call a 4th , which is equal to two tones and a semitone ; and the 5th , equal to three tones and a semitone ; and the octave , which is equal to five tones and two semitones ...
... semitone . Among larger intervals there are what musicians call a 4th , which is equal to two tones and a semitone ; and the 5th , equal to three tones and a semitone ; and the octave , which is equal to five tones and two semitones ...
Seite 27
... semitones ; the next ratio of increase is 1-9th , as from D to E and G to A , and these intervals are called minor ... semi- tones . These seven notes or sounds , which form the oc- tave , are such as are produced by the white finger ...
... semitones ; the next ratio of increase is 1-9th , as from D to E and G to A , and these intervals are called minor ... semi- tones . These seven notes or sounds , which form the oc- tave , are such as are produced by the white finger ...
Seite 29
Jared Sparks, Edward Everett, James Russell Lowell, Henry Cabot Lodge. two semitones in the natural scale , which are more properly called major semitones , others are formed by an artificial contrivance of later years ; that is , by ...
Jared Sparks, Edward Everett, James Russell Lowell, Henry Cabot Lodge. two semitones in the natural scale , which are more properly called major semitones , others are formed by an artificial contrivance of later years ; that is , by ...
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