North-American Review and Miscellaneous Journal, Band 4Jared Sparks, Edward Everett, James Russell Lowell, Henry Cabot Lodge University of Northern Iowa, 1965 Vols. 277-230, no. 2 include Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930. |
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Seite 20
... called by mu- sicians intervals ; because a sort of space is left , or skipped over , in which many others might be placed . Between the notes C and D , for instance , on your piano , many other sounds might be placed , all higher than ...
... called by mu- sicians intervals ; because a sort of space is left , or skipped over , in which many others might be placed . Between the notes C and D , for instance , on your piano , many other sounds might be placed , all higher than ...
Seite 27
... called semitones major , or simply semitones ; the next ratio of increase is 1-9th , as from D to E and G to A , and these intervals are called minor tones ; the greatest ratio of increase is that of 1-8th , as from C to D , F to G ...
... called semitones major , or simply semitones ; the next ratio of increase is 1-9th , as from D to E and G to A , and these intervals are called minor tones ; the greatest ratio of increase is that of 1-8th , as from C to D , F to G ...
Seite 29
... called sharps , and another half way below B is called B flat ; this is the way they are named ; but in reality sharps and flats are convertible terms , for a sharp to one note is also a flat to the next above ; by this contrivance we ...
... called sharps , and another half way below B is called B flat ; this is the way they are named ; but in reality sharps and flats are convertible terms , for a sharp to one note is also a flat to the next above ; by this contrivance we ...
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