Crime FictionPsychology Press, 2005 - 170 Seiten Crime Fiction provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Using examples from a variety of novels, short stories, films and televisions series, John Scaggs:
Accessible and clear, this comprehensive overview is the essential guide for all those studying crime fiction and concludes with a look at future directions for the genre in the twentieth-first century. |
Inhalt
IV | 7 |
V | 13 |
VI | 17 |
VII | 26 |
VIII | 33 |
IX | 39 |
X | 43 |
XI | 46 |
XX | 91 |
XXI | 98 |
XXII | 100 |
XXIII | 105 |
XXIV | 108 |
XXV | 117 |
XXVI | 122 |
XXVII | 125 |
XII | 50 |
XIII | 55 |
XIV | 58 |
XV | 64 |
XVI | 70 |
XVII | 77 |
XVIII | 85 |
XIX | 87 |
XXVIII | 135 |
XXIX | 139 |
XXX | 144 |
XXXI | 149 |
XXXII | 151 |
166 | |
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Häufige Begriffe und Wortgruppen
87th Precinct American Angeles appropriation Arrow Big Sleep central century Chandler's novels characterised characters Christie's Conan contemporary Continental Op crime fiction crime novel crime thriller criminal critical cultural death detective fiction detective story devices Doyle Doyle's Dupin Ellroy emphasises evident example featuring figure first-person Furthermore gangster genre Golden Age fiction Gothic novel Hammett hard-boiled detective hard-boiled fiction hard-boiled mode Harmondsworth HarperCollins hero historical crime fiction Holmes stories Holmes's identifies ideology investigation James Ellroy killer Knight literary locked-room mystery London Mandel Marlowe Marlowe's McHale method modern murder mystery and detective narrative narrator noir thriller notion Orion parallels past Penguin plot Poe's police detective police procedural popular postmodern present Priestman 1998 private eye Purloined Letter Raymond Chandler reader realism Rebus Red Harvest revenge tragedy Scarpetta setting Sherlock Holmes significant social order structure sub-genre Symons term thriller urban various violence whodunnit William writing York