3. A sweeter bloom to Eva's youth And heaven was mirrored in her truth 4. Oft to that lone, sequester'd place That seem'd a smile of home. 5. And oft I paused to hear at noon Or mark the white neck glancing down, 6. Years pass: the same the peaceful vale, The hill still shelters from the gale, 7. Still sweet the jasmine's buds of snow ;-- Her holy dust is laid.-BULWER Lytton. LESSON II.-GIL BLAS AND THE ARCHBISHOP, OR THE DAN GER OF GIVING ADVICE. Archbishop. WHAT is your business with me', my friend'? Gil Blas.1 I am the young man who was recommended to you by your nephew, Don Fernando. Arch. Oh! you are the person of whom he spoke so handsomely. I retain you in my service; I regard you as an acquisition. Your education, it would seem, has not been neglected; you know enough of Greek and Latin for my purpose, and your handwriting suits me. I am obliged to my nephew for sending me so clever a young fellow. So good a copyist must be also a grammarian. Tell me, did you find nothing in the sermon you transcribed for me which shocked your taste? no little negligence of style, or impropriety of diction? Gil B. Oh, sir! I am not qualified to play the critic; and if I were, I am persuaded that your grace's compositions would defy censure. Arch. Ahem! well, I do flatter myself that not many flaws could be picked in them. But, my young friend, tell me what passages struck you most forcibly. Gil B. If, where all was excellent, any passages more particularly moved me, they were those personifying hope, and describing the good man's death. Arch. You show an accurate taste and delicate appreciation. I see your judgment may be relied upon. Give yourself no inquietude, Gil Blas, in regard to your advancement in life. I will take care of that. I have an affection for you, and, to prove it, I will now make you my confidant. Yes, my young friend, I will make you the depositary of my most secret thoughts. Listen to what I have to say. I am fond of preaching, and my sermons are not without effect upon my hearers. The conversions of which I am the humble instrument ought to content me. But-shall I confess my weakness?-my reputation as a finished orator is what gratifies me most. My productions are celebrated as at once vigorous and elegant. But I would, of all things, avoid the mistake of those authors who do not know when to stop-I would produce nothing beneath my reputation; I would retire seasonably, ere that is impaired. And so, my dear Gil Blas, one thing I exact of your zeal, which is, that when you shall find that my pen begins to flag and to give signs of old age in the owner, you shall not hesitate to apprise me of the fact. Do not be afraid that I shall take it unkindly. I can not trust my own judgment on this point; self-love may mislead me. A disinterested understanding is what I require for my guidance I make choice of yours, and mean to abide by your decision. Gil. B. Thank Heaven, sir, the period is likely to be far distant when any such hint shall be needed. Besides, a genius like yours will wear better than that of an inferior man; or, to speak more justly, your faculties are above the encroachments of age. Instead of being weakened, they promise to be invigorated by time. Arch. No flattery, my friend. I am well aware that I am liable to give way at any time, all at once. At my age, certain infirmities of the flesh are unavoidable, and they must needs affect the mental powers. I repeat it, Gil Blas, so soon as you shall perceive the slightest symptom of deterioration in my writings, give me fair warning. Do not shrink from being perfectly candid and sincere, for I shall receive such a monition as a token of your regard for me. Gil B. In good faith, sir, I shall endeavor to merit your confidence. Arch. Nay, your interests are bound up with your obedience in this respect; for if, unfortunately for you, I should hear in the city a whisper of a falling-off in my discoursesan intimation that I ought to stop preaching-I should hold you responsible, and consider myself exempted from all care K for your fortunes. Such will be the result of your false dis cretion. Gil B. Indeed, sir, I shall be vigilant to observe your wishes, and to detect any blemish in your writings. Arch. And now tell me, Gil Blas, what does the world say of my last discourse? Think you it gave general satisfaction? Gil B. Since you exact it of me in so pressing a manner to be frank Arch. Frank? Oh, certainly, by all means; speak out, my young friend. Gil B. Your grace's sermons never fail to be admired; but Arch. But-Well? Do not be afraid to let me know all. Gil B. If I may venture the observation, it seemed to me that your last discourse did not have that effect upon your audience which your former efforts have had. Perhaps your grace's recent illness Arch. What, what! Has it encountered, then, some Aristarchus ?2 Gil B. No sir, no. Such productions as yours are beyond criticism. Every body was charmed with it; but since you have demanded it of me to be frank and sincere-I take the liberty to remark that your last discourse did not seem to me altogether equal to your preceding. It lacked the strengththe-Do you not agree with me, sir? Arch. Mr. Gil Blas, that discourse, then, is not to your taste? Gil B. I did not say that, sir. I found it excellent-only a little inferior to your others. Arch. So! Now I understand. I seem to you to be on the wane-eh? Out with it! You think it about time that I should retire? Gil B. I should not have presumed, sir, to speak so freely, but for your express commands. I have simply rendered you obedience; and I humbly trust that you will not be offended at my hardihood. Arch. Offended! Oh! not at all, Mr. Gil Blas. I utter no reproaches. I don't take it at all ill that you should speak your sentiments; it is your sentiment only that I find ill. I have been duped in supposing you to be a person of any intelligence-that is all. Gil B. But, sir, if, in my zeal to serve you, I have erred in Arch. Say no more-say no more! You are yet too raw to discriminate. Know that I never composed a better sermon than that which has had the misfortune to lack your approbation. My faculties, thank Heaven, have lost nothing of their vigor. Hereafter I will make a better choice of an adviser. Go, tell my treasurer to count you out a hundred ducats, and may Heaven conduct you with that sum. Adieu, Mr. Gil Blas. I wish you all manner of prosperity-with a little more taste.-Dramatized from LE SAGE. 1 GIL BLÄS (French), pronounced ZHIL BLÄS, |2 AR-IS-TÄR ́-CHUS, a celebrated critic of anthe g being sounded like z in azure. The tiquity, whose criticisms were so severe that concluding s is sounded, his name has become proverbial. LESSON III.—THE BELLS. The voice [This is a difficult piece, which professional elocutionists delight to read. should aim to imitate the tones of the different bells, and at the same time to call forth the feelings which the different occasions of their use suggest.] What a world of merriment their melody foretells'! How they tinkle, tinkle, tinkle, In the icy air of night'! While the stars that oversprinkle To the tintinnabulation2 that so musically wells Bells, bells, bells What a world of happiness their harmony foretells! How they ring out their delight! What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, How it swells'! How it dwells On the Future'! how it tells Of the rapture that impels a. Pronounced in a soft and silvery tone. The remainder of the verse should be read in a sprightly manner-approaching a sing-song tone. b. Prolonged, smooth, and flowing. The verse should be read in a tone full, smooth, and harmonious-dwelling, with a kind of luxuriant delight, upon the emphatic words. as To the swinging and the ringing To the rhyming and the chiming of the bells! 3. Hear the loud alarum bells a. Brazen bells! What a tale of terror, now, their turbulency tells! How they scream out their affright! In a clamorous appealing to the mercy of the fire, And a resolute endeavor, What a tale their terror tells How they clang, and clash, and roar! And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells Of the bells Of the bells, bells, bells, bells, Bells, bells, bells In the clamor and the clangor of the bells! 4. Hear the tolling of the bells b. Iron bells! What a world of solemn thought their monody* compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people-ah, the people— They that dwell up in the steeple, a. Harsh and loud-the voice alternately sinking and swelling throughout the verse, "the danger sinks and swells," and to accord with "the anger of the bells." b. Deep, slow, and solemn. |