An Analytical Inquiry Into the Principles of TastePayne, 1805 - 471 Seiten |
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according acquired Æneid afford animals appear applied arises artist ascer association of ideas become Bernini blime and Pathetic body called cause CHAP character charms colour composition consequently degree delight display effect elegance employed equally excite expression feeling felt fræna GEORGIC gratification Grecian Greek habit hearing human Iliad Imagina tion imitation impressions improved Perception inquiry instances irregular irritation Judg kind language less light and shadow mankind means ment mental sympathies merely mind modes nature neral never nevertheless notion objects observed olfactory nerves organs of sense pain painters painting Paradise Lost passions pathy perceived perfect person picturesque Pindar pleasing pleasure poet poetry principle produced proportion propriety prosody qualities racter Rembrandt laughed scenery sculpture sensation sensibility sentiments sexual Sight Sir Joshua Reynolds smell soever species style Sublime and Beautiful taste thing tints Titian tone touch turally ture variety verse Virgil whence wherefore words СНАР