Beiträge zur neueren Literaturgeschichte, Band 1C. Winter, 1908 |
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Seite 5
... King and no King " 4. Die Kritik der Maid's Tragedy " " 7 IV . Die „ Short View " 1693 1. Der literaturgeschichtliche Teil 2. Der kritische Teil 26 27 · 28 28 30 30 38 57 66 81 83 97 a ) Die Kritik des Othello 97 . Die systematische ...
... King and no King " 4. Die Kritik der Maid's Tragedy " " 7 IV . Die „ Short View " 1693 1. Der literaturgeschichtliche Teil 2. Der kritische Teil 26 27 · 28 28 30 30 38 57 66 81 83 97 a ) Die Kritik des Othello 97 . Die systematische ...
Seite 14
... king Lear , in order to heighten , or rather to alleviate , the Distress of that unfortunate Prince ; and to serve by way of Decoration to a Piece which that great Critick has written against " . 29 " 9 Bemerkt soll werden , daß Walter ...
... king Lear , in order to heighten , or rather to alleviate , the Distress of that unfortunate Prince ; and to serve by way of Decoration to a Piece which that great Critick has written against " . 29 " 9 Bemerkt soll werden , daß Walter ...
Seite 31
... King ; the Maids Tragedy by Beaumont and Fletcher : Othello , and Julius Caesar , by Shakespear ; and Catiline by ... Kings “ ( 2 ) , und wo eine Stadt wie Athen : „ did tax and assess themselves , and laid out more of their publick ...
... King ; the Maids Tragedy by Beaumont and Fletcher : Othello , and Julius Caesar , by Shakespear ; and Catiline by ... Kings “ ( 2 ) , und wo eine Stadt wie Athen : „ did tax and assess themselves , and laid out more of their publick ...
Seite 40
... Kings of one and the same Kingdom , cannot agree about the matter . Rollo ( by the means of his favourite Latorch ) ... king to spare her Father ; prevails , but too late . Rollo is in love with her ; she resolves his death . Hamond ...
... Kings of one and the same Kingdom , cannot agree about the matter . Rollo ( by the means of his favourite Latorch ) ... king to spare her Father ; prevails , but too late . Rollo is in love with her ; she resolves his death . Hamond ...
Seite 57
... King and no King “ . Garnett und Gosse rechnen in ihrer großen englischen Literaturgeschichte unser Stück unter die bewunderungs- würdigsten Erzeugnisse der Beaumont - Fletcherschen Muse . In der Tat hat es viele Verdienste . Seine ...
... King and no King “ . Garnett und Gosse rechnen in ihrer großen englischen Literaturgeschichte unser Stück unter die bewunderungs- würdigsten Erzeugnisse der Beaumont - Fletcherschen Muse . In der Tat hat es viele Verdienste . Seine ...
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Häufige Begriffe und Wortgruppen
Achmat Alaham Amintor Ansicht beiden besonders Bild Brief Bruder Brutus Cassio Charakter Chor Cleopatra Desdemona Dichter Dinge Drama Dramen Dryden Earl of Stirling Ederheimer Einfluß Empfindung englischen erscheinen ersten Evadne ewig Fabel finden findet Freund Friedrich Schlegel Fulke Greville ganze Gedanken Gefühl Geist Geschichte gibt Gildon Goethe Gott great großen Grund Hala Hand Handlung heart heißt Jago Jahre Jakob Böhme jetzt John Keats Julius Caesar Keats King klassizistischen König könnte Kritik Kunst lassen läßt Leben lich Liebe ließ life London love machen macht make Mann Menschen muß Mustapha Natur neueren Literaturgeschichte Novalis Othello Personen Philipp Otto Runge Philotas Plutarch Poesie Poet poetische Poetry Rapin recht Rollo Rymer scheint schen schließt Schluß Seele Sehnsucht sense Sensualismus Shakespeare Sidney soll später Stelle Stück sucht Symbol Szene Teil things think thoughts Tieck Tragedy Tragödie unsern viel Vorstellung weiß Welt Werke wieder William Alexander wohl Works Worte zwei zweiten
Beliebte Passagen
Seite 99 - Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit. AMEN.
Seite 65 - O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty," — that is all Ye know on earth, and all ye need to know.
Seite 24 - A poet is the most unpoetical of any thing in existence, because he has no Identity — he is continually in for and filling some other Body — The Sun, the Moon, the Sea and Men and Women, who are creatures of impulse, are poetical, and have about them an unchangeable attribute; the poet has none, no identity — he is certainly the most unpoetical of all God's Creatures.
Seite 65 - Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit ? What struggle to escape ? What pipes and timbrels? What wild ecstasy?
Seite 15 - Saturn, quiet as a stone, Still as the silence round about his lair; Forest on forest hung about his head Like cloud on cloud.
Seite 22 - Yes, I remember when the changeful earth, And twice five summers on my mind had stamped The faces of the moving year, even then I held unconscious intercourse with beauty Old as creation, drinking in a pure Organic pleasure from the silver wreaths Of curling mist, or from the level plain Of waters coloured by impending clouds.
Seite 50 - Your mournful Psyche, nor the downy owl A partner in your sorrow's mysteries ; For shade to shade will come too drowsily, And drown the wakeful anguish of the soul.
Seite 57 - Or is it some more humble lay, Familiar matter of to-day? Some natural sorrow, loss, or pain, That has been, and may be again!
Seite 53 - Make net-work of the dark blue light of day, And the night's noontide clearness, mutable As shapes in the weird clouds. Soft mossy lawns Beneath these canopies extend their swells, Fragrant with perfumed herbs, and eyed with blooms Minute yet beautiful.
Seite 22 - From Nature and her overflowing soul, I had received so much, that all my thoughts Were steeped in feeling ; I was only then Contented, when with bliss ineffable I felt the sentiment of Being spread O'er all that moves and all that seemeth still...