The Merry Monarch: Or, England Under Charles II. Its Art, Literature, and Society, Band 1 |
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Seite 103
... cave of cloud ” ) , chorus , and ballet . The music for both these pieces was
composed by Nicholas Laniere . But the aid and embellishment of music was not
confined -THE MUSICIANS.
... cave of cloud ” ) , chorus , and ballet . The music for both these pieces was
composed by Nicholas Laniere . But the aid and embellishment of music was not
confined -THE MUSICIANS.
Seite 105
Pieces of three to six parts , written for viols and other instruments , were
composed under the general name of “ fantasies , ” or “ fancies , ” which
abounded , says Hawkins , in fugues , and little responsible passages , and all
those other ...
Pieces of three to six parts , written for viols and other instruments , were
composed under the general name of “ fantasies , ” or “ fancies , ” which
abounded , says Hawkins , in fugues , and little responsible passages , and all
those other ...
Seite 109
... for its simplicity ; so much so that it would sometimes offend the performers . “
When at Windsor , on one occasion , he called the choir to a practice of an
anthem he had just composed , the choir . men found the composition so plain
and easy ...
... for its simplicity ; so much so that it would sometimes offend the performers . “
When at Windsor , on one occasion , he called the choir to a practice of an
anthem he had just composed , the choir . men found the composition so plain
and easy ...
Seite 110
In conjunction with his brother William and Simon Ives , he composed the music
for Shirley ' s masque , “ The Triumphs of Peace , " performed at Whitehall , on
Candlemas - night , before the King and his Court ; and in the same year set to ...
In conjunction with his brother William and Simon Ives , he composed the music
for Shirley ' s masque , “ The Triumphs of Peace , " performed at Whitehall , on
Candlemas - night , before the King and his Court ; and in the same year set to ...
Seite 113
... to “ Choice Psalms put into Music for Three Voices , composed by Henry and
William Lawes , Brothers and Servants to His Majesty , ” & c . This was preceded ,
in 1635 , by “ A Paraphrase upon the Psalms of David . By G [ eorge ] S [ andys ] .
... to “ Choice Psalms put into Music for Three Voices , composed by Henry and
William Lawes , Brothers and Servants to His Majesty , ” & c . This was preceded ,
in 1635 , by “ A Paraphrase upon the Psalms of David . By G [ eorge ] S [ andys ] .
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acted Admiral afterwards appeared beauty better born called carried character Charles Church comedy comes composed Court criticism death died drama Dryden Duchess Duke Earl England English Enter Evelyn excellent face fire force French gave genius give hand heart honour Italy John kind King King's Lady leave live London Lord manners March master mistress natural never night noble once original passion Pepys person play plot poem poet present Prince produced published Queen received Restoration Royal says scene seems seen songs soon speak stage story streets success tell Theatre thee thing thou thought tion took town tragedy turned whole wife writes written wrote young
Beliebte Passagen
Seite 270 - Some men with swords may reap the field, And plant fresh laurels where they kill : But their strong nerves at last must yield ; They tame but one another still : Early or late They stoop to fate, And must give up their murmuring breath, When they, pale captives, creep to death. The garlands wither on your brow, Then boast no more your mighty deeds ; Upon Death's purple altar now See, where the victor-victim bleeds : Your heads must come To the cold tomb ; Only the actions of the just Smell sweet,...
Seite 269 - The glories of our blood and state Are shadows, not substantial things ; There is no armour against fate ; Death lays his icy hand on kings : Sceptre and crown Must tumble down, And in the dust be equal made With the poor crooked scythe and spade.
Seite 381 - Through all the compass of the notes it ran, The diapason closing full in Man. What passion cannot Music raise and quell? When Jubal struck the chorded shell, His listening brethren stood around, And, wondering, on their faces fell To worship that celestial sound. Less than a god they thought there could not dwell Within the hollow of that shell, That spoke so sweetly, and so well.
Seite 373 - Tis resolved, for Nature pleads that he " Should only rule who most resembles me. " Shadwell alone my perfect image bears, " Mature in dulness from his tender years ; " Shadwell alone of all my sons is he " Who stands confirmed in full stupidity. " The rest to some faint meaning make pretence, " But Shadwell never deviates into sense.
Seite 184 - tis all a cheat; Yet, fooled with hope, men favour the deceit; Trust on, and think to-morrow will repay: To-morrow's falser than the former day; Lies worse, and, while it says, we shall be blest With some new joys, cuts off what we possest.
Seite 241 - Ibs. of tallow : now, all things civil, no rudeness anywhere ; then, as in a bear-garden : then, two or three fiddlers ; now, nine or ten of the best : then, nothing but rushes upon the ground, and every thing else mean ; now, all otherwise...
Seite 34 - The poor inhabitants were dispersed about St. George's Fields and Moorfields, as far as Highgate, and several miles in circle, some under tents, some under miserable huts and hovels, many without a rag, or any necessary utensils, bed, or board; who, from delicateness, riches, and easy accommodations in stately and well- furnished houses, were now reduced to extremest misery and poverty.
Seite 30 - ... season, I went on foot to the same place; and saw the whole south part of the City burning from Cheapside to the Thames...
Seite 280 - He, who still wanting, tho' he lives on theft, Steals much, spends little, yet has nothing left: And He, who now to sense, now nonsense leaning, Means not, but blunders round about a meaning...
Seite 367 - As I am no successor to Homer in his wit, so neither do I desire to be in his poverty. I can make no rhapsodies, nor go a begging at the Grecian doors, while I sing the praises of their ancestors. The times of Virgil please me better, because he had an Augustus for his patron; and, to draw the allegory nearer you, I am sure I shall not want a Maecenas with him.
Bibliografische Informationen
| Titel | The Merry Monarch: Or, England Under Charles II. Its Art, Literature, and Society, Band 1 The Merry Monarch: Or, England Under Charles II. Its Art, Literature, and Society, William Henry Davenport Adams |
| Autor/in | William Henry Davenport Adams |
| Verlag | Remington & Company, 1885 |
| Original von | Harvard University |
| Digitalisiert | 16. Aug. 2007 |
| Zitat exportieren | BiBTeX EndNote RefMan |