Medieval Clothing and Textiles

Cover
Robin Netherton, Gale R. Owen-Crocker
Boydell Press, 2013 - 182 Seiten
The best new research on medieval clothing and textiles, drawing from a range of disciplines.

Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution.
Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian community at Beaulieu Abbey based on its 1269-1270 account book, and the use of clothing as pledge or payment in medieval Ireland. In addition, there is a consideration of the history of dagged clothing and its negative significance to moralists, and of the painted hangings that were common in homes of all classes in the sixteenth century.

ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester.

Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhl

 

Inhalt

1 Bridal Gifts in Medieval Bari
1
2 The Marriage of the Year 1028
45
3 Clothing as Currency in PreNorman Ireland?
55
4 Cistercian Clothing and Its Production at Beaulieu Abbey 126970
73
5 Clothing and Textile Materials in Medieval Sweden and Norway
97
6 The Iconography of Dagged Clothing and Its Reception by Moralist Writers
121
Imagery Placement and Ownership
139
Recent Books of Interest
161
Contents of Previous Volumes
167
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Autoren-Profil (2013)

Robin Netherton is a costume historian specializing in Western European clothing of the Middle Ages and its interpretation by artists and historians. Gale R. Owen-Crocker is Professor Emerita of the University of Manchester where she was previously Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies.

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