Time Is of the Essence: Temporality, Gender, and the New WomanState University of New York Press, 20.09.2001 - 299 Seiten In Time Is of the Essence, Patricia Murphy argues that the Victorian debate on the Woman Question was informed by a crucial but as yet unexplored element at the fin de siècle: the cultural construction of time. Victorians were obsessed with time in this century of incessant change, responding to such diverse developments as Darwinism, a newfound faith in progress, an unprecedented fascination with history and origins, and the nascent discipline of evolutionary psychology. The works examined here—novels by Thomas Hardy, Olive Schreiner, H. Rider Haggard, Sarah Grand, and Mona Caird—manipulate prevalent discourses on time to convey anxieties over gender, which intensified in the century's final decades with the appearance of the rebellious New Woman. Unmasking the intricate relationship between time and gender that threaded through these and other works of the period, Murphy reveals that the cultural construction of time, which was grounded in the gender-charged associations of history, progress, Christianity, and evolution, served as a powerful vehicle for reinforcing rigid boundaries between masculinity and femininity. In the process, she also covers a number of other important and intriguing topics, including the effects of rail travel on Victorian perceptions of time and the explosion of watch production throughout the period. |
Inhalt
Chapter 2 | 31 |
Chapter 3 | 71 |
Chapter 4 | 109 |
Chapter 5 | 151 |
Chapter 6 | 189 |
Pointing the Way to Modernist Time | 227 |
Works Cited | 259 |
285 | |
Andere Ausgaben - Alle anzeigen
Time Is of the Essence: Temporality, Gender, and the New Woman Patricia Murphy Eingeschränkte Leseprobe - 2001 |
Time Is of the Essence: Temporality, Gender, and the New Woman Patricia Murphy Eingeschränkte Leseprobe - 2001 |
Time Is of the Essence: Temporality, Gender, and the New Woman Patricia Murphy Keine Leseprobe verfügbar - 2001 |
Häufige Begriffe und Wortgruppen
aesthetic African Farm allegory argues asserts Ayesha Azrael becomes Beth Book Beth's Bildungsroman binary body Caird chapter character characterized chime Christian clock critics cultural cyclical d'Urberville Darwin Darwinian Daughters of Danaus death discussion Durbeyfield essay eternal Evadne evolutionary evolutionary psychologists example female essence feminine feminist feminized fiction figure fin de siècle gender roles genius Grand's Hadria Haggard's Hardy Hardy's Heavenly Twins Holly human identifies implies intellectual Kallikrates Kranidis Kristeva language late-century Leo's linear Lyndall Lyndall's male marriage masculine temporality mental modernist mother movement narrative natural order nineteenth century notion novel observes Olive Schreiner pagan passage past patriarchal perception position progress protagonist psychology reading remarks represents reveals Review Sarah Grand scene Schreiner Schreiner's sexual significant similarly social story suggests t]he Tess Tess's text's theory Thomas Hardy tick tion traditional Victorian Viola Waldo Woman Woman novels women