Vocal Expression in Speech: A Treatise on the Fundamentals of Public Speaking Adapted to the Use of Colleges and UniversitiesGinn, 1911 - 315 Seiten |
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Seite 10
... tone , the name " John ! " Be- fore uttering the word take a deep , full breath , bringing into action the great breathing muscle . Then when the muscle is thoroughly contracted and giving the lungs a strong support , utter the word ...
... tone , the name " John ! " Be- fore uttering the word take a deep , full breath , bringing into action the great breathing muscle . Then when the muscle is thoroughly contracted and giving the lungs a strong support , utter the word ...
Seite 11
... tone and correct touch . With the center of power at the diaphragm this restrictive action may be lessened , but generally some specific attention must be paid to the movement of the jaw and tongue . - - For example , in making the ...
... tone and correct touch . With the center of power at the diaphragm this restrictive action may be lessened , but generally some specific attention must be paid to the movement of the jaw and tongue . - - For example , in making the ...
Seite 19
... tone which ap- peals most strongly to the ear and acts as the determining pitch ; ( 2 ) this is always a composite tone due to resonance . A sound of one pitch is never heard . The ear of the untrained listener may not note any but the ...
... tone which ap- peals most strongly to the ear and acts as the determining pitch ; ( 2 ) this is always a composite tone due to resonance . A sound of one pitch is never heard . The ear of the untrained listener may not note any but the ...
Seite 20
... tone be well sustained . ( 2 ) Utter the sound with a falling inflection as though in the climax of a joyous approval and satisfaction . These are among the most helpful exercises for vocal development . ( 3 ) Vary the pitch of the ...
... tone be well sustained . ( 2 ) Utter the sound with a falling inflection as though in the climax of a joyous approval and satisfaction . These are among the most helpful exercises for vocal development . ( 3 ) Vary the pitch of the ...
Seite 44
... tone of apology or a suggestion of argument . It had the emphasis of authority , and it did not admit of the pos- sibility of appeal . It is a call which can never be said to have been popular . And yet it has always been the first ...
... tone of apology or a suggestion of argument . It had the emphasis of authority , and it did not admit of the pos- sibility of appeal . It is a call which can never be said to have been popular . And yet it has always been the first ...
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Vocal Expression in Speech: A Treatise on the Fundamentals of Public ... Henry Evarts Gordon Keine Leseprobe verfügbar - 2018 |
Vocal Expression in Speech; A Treatise on the Fundamentals of Public ... Henry Evarts Gordon,Rollo La Verne Lyman Keine Leseprobe verfügbar - 2016 |
Vocal Expression in Speech: A Treatise on the Fundamentals of Public ... Henry Evarts Gordon Keine Leseprobe verfügbar - 2017 |
Häufige Begriffe und Wortgruppen
१९ ९९ action anapest arms Baby Bob Cratchit boots breath called Camelot change of pitch Charley Johnson Christmas comes Cratchit cried dark DAVID COPPERFIELD dead dear door Dubric emotion eyes face Falstaff father Fezziwig fire follow Gareth give Guinevere hand hath hear heard heart heaven Heep human voice King Lady of Shalott light live Lochinvar look Lord Micawber mind monopitch mother Moya nature never night o'er O'Kelley passed phonograph public speaking resonators Richelieu round Sadie Scrooge SHAKESPEARE singing smile song soul sound speaker speech dynamics speech melody speech quality speech rhythm spirit stand stars stood student sweet tell thee thing thou thought and feeling thro Tiny Tim to-day tone tongue touch trochee unto vocal expression vocal utterance voice wind word young lawyer
Beliebte Passagen
Seite 220 - I CHATTER over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever.
Seite 247 - Ye ice-falls! ye that from the mountain's brow Adown enormous ravines slope amain— Torrents, methinks, that heard a mighty voice, And stopped at once amid their maddest plunge! Motionless torrents! silent cataracts! Who made you glorious as the Gates of Heaven Beneath the keen full moon? Who bade the sun Clothe you with rainbows? Who, with living flowers Of loveliest blue, spread garlands at your feet?— God! let the torrents, like a shout of nations, Answer! and let the ice-plains echo, God!
Seite 169 - My liege, I did deny no prisoners ; But, I remember, when the fight was done, When I was dry with rage, and extreme toil, Breathless and faint, leaning upon my sword, Came there a certain lord, neat...
Seite 244 - And there was mounting in hot haste: the steed, The mustering squadron, and the clattering car, Went pouring forward with impetuous speed, And swiftly forming in the ranks of war...
Seite 86 - THERE is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tired eyelids upon tired eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro...
Seite 186 - He answered and said, Whether he be a sinner or no, I know not : one thing I know, that, whereas I was blind, now I see.
Seite 220 - I come from haunts of coot and hern, I make a sudden sally And sparkle out among the fern, To bicker down a valley. By thirty hills I hurry down, Or slip between the ridges, By twenty thorps, a little town, And half a hundred bridges.
Seite 258 - Signior Antonio, many a time and oft, In the Rialto, you have rated me About my moneys and my usances : Still have I borne it with a patient shrug ; For sufferance is the badge of all our tribe...
Seite 125 - Tirra lirra," by the river Sang Sir Lancelot. She left the web, she left the loom, She made three paces thro' the room, She saw the water-lily bloom, She saw the helmet and the plume, She look'd down to Camelot.
Seite 176 - Fear death? — to feel the fog in my throat, The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe; Where he stands, the Arch Fear in a visible form, Yet the strong man must go...