Vocal Expression in Speech: A Treatise on the Fundamentals of Public Speaking Adapted to the Use of Colleges and UniversitiesGinn, 1911 - 315 Seiten |
Im Buch
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Seite 4
... matter largely of practice . Practice does not make perfect , but thorough , conscientious practice tends toward perfection . The student must have an audience upon which to exercise his talents . If he is to be a lawyer , he must work ...
... matter largely of practice . Practice does not make perfect , but thorough , conscientious practice tends toward perfection . The student must have an audience upon which to exercise his talents . If he is to be a lawyer , he must work ...
Seite 6
... matter is more important than manner , taste than skill ; that culture must precede calling ; and that mind determines both manner and calling . The student has no call to speak to the universe until the universe has spoken to him ...
... matter is more important than manner , taste than skill ; that culture must precede calling ; and that mind determines both manner and calling . The student has no call to speak to the universe until the universe has spoken to him ...
Seite 12
... matter . Always vary the program with the use of joyous , lyrical , emotional lines , like Hurrah ! the foes are moving . Hark to the mingled din Of fife , and steed , and trump , and drum , and roaring culverin . Remember that every ...
... matter . Always vary the program with the use of joyous , lyrical , emotional lines , like Hurrah ! the foes are moving . Hark to the mingled din Of fife , and steed , and trump , and drum , and roaring culverin . Remember that every ...
Seite 15
... matter may be handled by different authors . Professor F. B. Gummere , in his " Beginnings of Poetry , " puts it in this way ( he is speaking of " Rhythm as the Essential Fact of Poetry " ) : It is not hard to follow so plain a hint 15 ...
... matter may be handled by different authors . Professor F. B. Gummere , in his " Beginnings of Poetry , " puts it in this way ( he is speaking of " Rhythm as the Essential Fact of Poetry " ) : It is not hard to follow so plain a hint 15 ...
Seite 16
... matter to be studied in the individual and centrifugal impulse , in the progress of the poet : hence it is enough to show that rhythmic verse came directly from the choral song , and that neither the choral song , nor any regular song ...
... matter to be studied in the individual and centrifugal impulse , in the progress of the poet : hence it is enough to show that rhythmic verse came directly from the choral song , and that neither the choral song , nor any regular song ...
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Vocal Expression in Speech: A Treatise on the Fundamentals of Public ... Henry Evarts Gordon Keine Leseprobe verfügbar - 2017 |
Häufige Begriffe und Wortgruppen
१९ ९९ action anapest arms Baby Bob Cratchit boots breath called Camelot change of pitch Charley Johnson Christmas comes Cratchit cried dark DAVID COPPERFIELD dead dear door Dubric emotion eyes face Falstaff father Fezziwig fire follow Gareth give Guinevere hand hath hear heard heart heaven Heep human voice King Lady of Shalott light live Lochinvar look Lord Micawber mind monopitch mother Moya nature never night o'er O'Kelley passed phonograph public speaking resonators Richelieu round Sadie Scrooge SHAKESPEARE singing smile song soul sound speaker speech dynamics speech melody speech quality speech rhythm spirit stand stars stood student sweet tell thee thing thou thought and feeling thro Tiny Tim to-day tone tongue touch trochee unto vocal expression vocal utterance voice wind word young lawyer
Beliebte Passagen
Seite 220 - I CHATTER over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever.
Seite 247 - Ye ice-falls! ye that from the mountain's brow Adown enormous ravines slope amain— Torrents, methinks, that heard a mighty voice, And stopped at once amid their maddest plunge! Motionless torrents! silent cataracts! Who made you glorious as the Gates of Heaven Beneath the keen full moon? Who bade the sun Clothe you with rainbows? Who, with living flowers Of loveliest blue, spread garlands at your feet?— God! let the torrents, like a shout of nations, Answer! and let the ice-plains echo, God!
Seite 169 - My liege, I did deny no prisoners ; But, I remember, when the fight was done, When I was dry with rage, and extreme toil, Breathless and faint, leaning upon my sword, Came there a certain lord, neat...
Seite 244 - And there was mounting in hot haste: the steed, The mustering squadron, and the clattering car, Went pouring forward with impetuous speed, And swiftly forming in the ranks of war...
Seite 86 - THERE is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tired eyelids upon tired eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro...
Seite 186 - He answered and said, Whether he be a sinner or no, I know not : one thing I know, that, whereas I was blind, now I see.
Seite 220 - I come from haunts of coot and hern, I make a sudden sally And sparkle out among the fern, To bicker down a valley. By thirty hills I hurry down, Or slip between the ridges, By twenty thorps, a little town, And half a hundred bridges.
Seite 258 - Signior Antonio, many a time and oft, In the Rialto, you have rated me About my moneys and my usances : Still have I borne it with a patient shrug ; For sufferance is the badge of all our tribe...
Seite 125 - Tirra lirra," by the river Sang Sir Lancelot. She left the web, she left the loom, She made three paces thro' the room, She saw the water-lily bloom, She saw the helmet and the plume, She look'd down to Camelot.
Seite 176 - Fear death? — to feel the fog in my throat, The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe; Where he stands, the Arch Fear in a visible form, Yet the strong man must go...