Shakespeare's HamletH. Holt, 1914 - 252 Seiten |
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Seite xi
... action unknown to the modern stage . What Shakespeare found , then , was a community that eagerly demanded plays , a keen and active competition to supply that demand , and stage conditions which per- mitted the swiftest and most ...
... action unknown to the modern stage . What Shakespeare found , then , was a community that eagerly demanded plays , a keen and active competition to supply that demand , and stage conditions which per- mitted the swiftest and most ...
Seite xviii
... action , and that action must have a definite movement . And such a move- ment , in a tragedy , involves a conflict between two oppos- ing forces . In Hamlet this conflict takes the form ( we shall see another side of it in a moment ) ...
... action , and that action must have a definite movement . And such a move- ment , in a tragedy , involves a conflict between two oppos- ing forces . In Hamlet this conflict takes the form ( we shall see another side of it in a moment ) ...
Seite xix
... Action ( or Climax ) Falling Action Equilibrium Exciting Force Catastrophe The details of the movement in Hamlet are elaborated in the introductory notes to the different scenes , and the interest of the story is not diminished but ...
... Action ( or Climax ) Falling Action Equilibrium Exciting Force Catastrophe The details of the movement in Hamlet are elaborated in the introductory notes to the different scenes , and the interest of the story is not diminished but ...
Seite xx
... the effects of a great action laid upon a soul unfit 1Wilhelm Meister's Lehrjahre , Book IV , Chapter XIII ( Car- lyle's translation ) . This view is admirably criticised in one for the performance of it . In this view the XX Introduction.
... the effects of a great action laid upon a soul unfit 1Wilhelm Meister's Lehrjahre , Book IV , Chapter XIII ( Car- lyle's translation ) . This view is admirably criticised in one for the performance of it . In this view the XX Introduction.
Seite xxi
... action . Now , one of Shakespeare's modes of creating characters is to conceive any one intellectual or moral faculty in morbid excess , and then to place himself , Shakespeare , thus mutilated or diseased , under given circumstances ...
... action . Now , one of Shakespeare's modes of creating characters is to conceive any one intellectual or moral faculty in morbid excess , and then to place himself , Shakespeare , thus mutilated or diseased , under given circumstances ...
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action actor audience blood character Claudius dead dear death Denmark doth drink earth Elizabethan England Enter HAMLET Exit father fear Folio follow Fortinbras friends gentlemen Gentlemen of Verona Gertrude Ghost give Guil Hamlet Hamlet means hast hath hear heart heaven Henry Horatio is't Julius Cæsar King King's Laer Laertes Laertes's look Lord Hamlet Love's Labour's Lost Macbeth madness majesty Marcellus Merchant of Venice mind mother murder nature night noble Norway Observe Ophelia Osric passage passion phrase play players Polonius Polonius's pray probably Queen question reference revenge Romeo and Juliet Rosencrantz and Guildenstern scene Second Quarto sense Shake Shakespeare soliloquy soul speak speech spirit stage sweet tell theaters thee There's thing thou thought tragedy Twelfth Night Winter's Tale word