Anglia: Zeitschrift für englische Philologie, Band 24M. Niemeyer, 1901 |
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Ergebnisse 1-5 von 24
Seite 59
... Schwache verba I : auecco II , 19 ; sello IV , 14 ; ðyrsto IV , 15 ; doemo V , 30 ; a erscheint bei doema XII , 47 ; ædeaua XIV , 21 ; e bei gemoete XVIII , 38 . Der endungsvokal fehlt vor ic in gelef ic XX , 25 , spildic XVIII , 9 . 3 ...
... Schwache verba I : auecco II , 19 ; sello IV , 14 ; ðyrsto IV , 15 ; doemo V , 30 ; a erscheint bei doema XII , 47 ; ædeaua XIV , 21 ; e bei gemoete XVIII , 38 . Der endungsvokal fehlt vor ic in gelef ic XX , 25 , spildic XVIII , 9 . 3 ...
Seite 60
... Schwache verba nach III : -es : hæfes IV , 18 ; is : hæfis IV , 11 . § 50. 3. sing . ind . praes . Der ursprüngliche endkonsonant wechselt stark und regel- los mit s ; der themavokal ist nicht synkopiert und erscheint bei starken und ...
... Schwache verba nach III : -es : hæfes IV , 18 ; is : hæfis IV , 11 . § 50. 3. sing . ind . praes . Der ursprüngliche endkonsonant wechselt stark und regel- los mit s ; der themavokal ist nicht synkopiert und erscheint bei starken und ...
Seite 61
... Schwache verba nach III : -ed : gesæged Prf . 3 , 6 ; lifeð IV , 53 ; -ið : hæfið XVI , 21 ; -að : gefriað Prf . 5 , 15 ; liofað Prf . 4,7 ; forhycgað V , 45 ; -æð : liofæð XI , 25 ; -es : sæges Prf . 4 , 11 ; lifes IV , 50 ; is : hæfis ...
... Schwache verba nach III : -ed : gesæged Prf . 3 , 6 ; lifeð IV , 53 ; -ið : hæfið XVI , 21 ; -að : gefriað Prf . 5 , 15 ; liofað Prf . 4,7 ; forhycgað V , 45 ; -æð : liofæð XI , 25 ; -es : sæges Prf . 4 , 11 ; lifes IV , 50 ; is : hæfis ...
Seite 62
... Schwache verba nach I : e : hreme XI , 31 ; doeme XII , 47 ; brenge XV , 2 ; a : gesoeca XII , 26 ; oferleora XIII , 1 ; 0 : spillo VI , 39 ; gehælo XII , 47 . 3 ) Schwache verba nach II : a : geuna XIV , 16 ; deadige XXI , 23 ; -ia ...
... Schwache verba nach I : e : hreme XI , 31 ; doeme XII , 47 ; brenge XV , 2 ; a : gesoeca XII , 26 ; oferleora XIII , 1 ; 0 : spillo VI , 39 ; gehælo XII , 47 . 3 ) Schwache verba nach II : a : geuna XIV , 16 ; deadige XXI , 23 ; -ia ...
Seite 63
... Schwache verba nach II : a : uundra III , 7 ; uuldra XVII , 5 ; halga XVII , 17 ; -ig : halgig XVII , 17 . 4 ) Schwache verba nach III : sæg XX , 17 . § 55. Plural des imperativs . Das verhältnis der endungen ist das gleiche wie im ...
... Schwache verba nach II : a : uundra III , 7 ; uuldra XVII , 5 ; halga XVII , 17 ; -ig : halgig XVII , 17 . 4 ) Schwache verba nach III : sæg XX , 17 . § 55. Plural des imperativs . Das verhältnis der endungen ist das gleiche wie im ...
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Häufige Begriffe und Wortgruppen
2JP III 2WiP Abbey alkin Anglia apokopiert Bacon Bailey Beispiele belege Bokenam briefe Brown Capgrave Caxton Chaucer Chaucer's Colvin dichter diphthong dist distichon eall endung englischen erscheint erst Ezech finden findet flexion folgenden formen found gedichte gemination George gilden give godspell good häufig Haydon Hunt John John Keats Kath Keats konsonanten kritik L. J. zs lehnwort lich Londoner urkunden Lydgate make Makk Matth meist Mirour Morsbach N. F. XII nasal Norf Norfolk Oxford palatale Paston Letters Pecock ping play plays plur plural praes praet Römstedt schreibt Schwache verba selten sing Skeat stets Suffolk synkope take thing Ueber umlaut unserem VIII vokal Wakefield werke Westgerm Wife wohl wort Wycliffe XVII XVIII þat þei
Beliebte Passagen
Seite 194 - Dilke on various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously— I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason...
Seite 157 - The imagination of a boy is healthy, and the mature imagination of a man is healthy, but there is a space of life between in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted...
Seite 162 - Praise or blame has but a momentary effect on the man whose love of beauty in the abstract makes him a severe critic on his own works. My own domestic criticism has given me pain without comparison beyond what " Blackwood" or the "Quarterly" could possibly inflict : and also when I feel I am right, no external praise can give me such a glow as my own solitary reperception and ratification of what is fine. JS is perfectly right in regard to the
Seite 197 - When I am in a room with people, if I ever am free from speculating on creations of my own brain, then, not myself goes home to myself, but the identity of every one in the room begins to press upon me, [so] that I am in a very little time annihilated — not only among men ; it would be the same in a nursery of children.
Seite 170 - Here are sweet peas, on tip-toe for a flight : With wings of gentle flush o'er delicate white, And taper fingers catching at all things, To bind them all about with tiny rings.
Seite 147 - ... once covered his tongue and throat as far as he could reach with cayenne pepper in order to appreciate the "delicious coldness of claret in all its glory"— his own expression.
Seite 164 - I feel every confidence that, if I choose, I may be a popular writer. That I will never be ; but for all that I will get a livelihood. I equally dislike the favour of the public with the love of a woman. They are both a cloying treacle to the wings of Independence.
Seite 193 - A poet is the most unpoetical of anything in existence, because he has no identity— he is continually in for and filling some other body.
Seite 159 - Keats, however, deprecates criticism on this ' immature and feverish work' in terms which are themselves sufficiently feverish; and we confess that we should have abstained from inflicting upon him any of the tortures of the 'fierce hell' of criticism, which terrify his imagination, if he had not begged to be spared in order that he might write more ; if we had not observed in him a certain degree of talent which deserves to be put in the right way, or which, at least, ought to be warned of the wrong...
Seite 193 - As to the poetical character itself (I mean that sort, of which, if I am anything, I am a member ; that sort distinguished from the Wordsworthian, or egotistical Sublime ; which is a thing per se, and stands alone), it is not itself — it has no self- -It is...