Antonio Salieri and Viennese OperaUniversity of Chicago Press, 1998 - 648 Seiten Many know Antonio Salieri only as Mozart's envious nemesis from the film Amadeus. In this well-illustrated work, John A. Rice shows us what a rich musical and personal history this popular stereotype has missed. Bringing Salieri, his operas, and eighteenth-century Viennese theater vividly to life, Rice places Salieri where he belongs: no longer lurking in Mozart's shadow, but standing proudly among the leading opera composers of his age. Rice's research in the archives of Vienna and close study of his scores reveal Salieri to have been a prolific, versatile, and adventurous composer for the stage. Within the extraordinary variety of Salieri's approaches to musical dramaturgy, Rice identifies certain habits of orchestration, melodic style, and form as distinctively "Salierian"; others are typical of Viennese opera in general. A generous selection of excerpts from Salieri's works, most previously unpublished, will give readers a fuller appreciation for his musical style—and its influence on Mozart—than was previously possible. |
Inhalt
Introduction | 1 |
From Venice to Vienna | 9 |
Theaters Management Personnel | 32 |
Goldonian Opera Buffa in Vienna before Salieri | 61 |
Constructing Le donne letterate | 111 |
Youthful Exploration and Experiment | 152 |
Three Goldonian Comedies | 182 |
Joseph II and the End of the Impresarial Decade | 232 |
Josephs Italian Troupe and the Renewal of Viennese Opera Buffa | 330 |
Tarare and Axur re dOrmus | 385 |
Da Ponte Ferrarese and Hofkapellmeister Salieri | 421 |
Mozart and Salieri | 459 |
Leopold II Tomeoni and the Triumph of Neapolitan Opera Buffa | 493 |
Withdrawal and Reemergence 179296 | 527 |
Salieris Last Operas and the End of Viennese Italian Opera | 561 |
A Chronological List of Salieris Operas | 599 |
Italy 177880 | 255 |
Josephs Singspiel Troupe and Der Rauchfangkehrer | 281 |
Les Danaïdes | 307 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
A-Wn Allegro Andante Angermüller aria Armida Atar audience autograph Axur ballet bass bassoons beginning Boccherini buffo buona figliuola Burgtheater characters chorus cifra coloratura Coltellini comic opera composer Così fan tutte court theaters Daliso Danaïdes dance Der Rauchfangkehrer Don Giovanni donne letterate dramatic duet emperor ensembles EXAMPLE fiera di Venezia finale finta Gassmann German Gluck Goldonian grotta Heartz HHSTA horns impresario Italian opera Italy Joseph Kärntnertortheater La buona figliuola La finta semplice Leben Leopold Les Danaïdes librettist libretto melody mercato meter Mosel Mozart musicians Neapolitan numbers oboes opera buffa opera buffa troupe opera seria opere buffe orchestra overture Palmira parti serie performed played poet Ponte Ponte's quoted recitative repertory role rondò Salieri wrote Salieri's opera sang scene score serious opera singers singing Singspiel solo soprano stage Storace sung Tarare tempo theatrical Tomeoni Trofonio trumpets Venice Vienna Viennese Viennese opera vocal Zinzendorf
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